Also helped reduce EMI from the power supply/amp by filtering out the HF somewhat. So you were getting a "speaker sim" all the time. but the POwerblock also had a LPF/HPF combination right in front of the power amp. Secrets to the sound was the flexwave preamp as someone mentioned, with rectified charging pushback "feel" to the op amp diode clipper stages. Team effort for sure, my only involvement was some sound tweaking tests and the handwriting they lifted from the insane BV300. Yeah it was supposed to sound like a "tube amp" or as close as we could get. The Crate Powerblock … one of the first class D guitar amps in that format. Of course if you're a blues player living on the edge of breakup pushing really loud clean amps then it's unlikely you'll ever be satisfied with a solid state power amp. If you're getting all your tone from a tube preamp and drive pedals then a solid state power amp into the right speakers should be fine.
In this case a neutral sounding solid state amp can sound sterile or harsh without the right speakers. Likewise an amp with more of a scooped sound can be thin and buzzy without speakers that compensate for those mids being sucked out. Even with the real thing an amp that pushes out a lot of mids can be overkill with mid heavy speakers. Let's not forget how important speakers are in all this. I would try a parametric EQ after the drive pedals which is like running it in the loop of a real amp. Some are voiced for a Fender tone stack and simply won't sound right without certain frequencies being scooped out. Therefore, proceed at your own risk.Ĭlick to expand.There are exceptions but pedal designers typically voice their drive pedals to go into the front of an amp. Furthermore, no security is promised or implied by The Gear Page owners, administrators, or moderators.
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